reading

Beneath the Avalanche of Previously Read Pages

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I  have a very good memory for images and phrases.  I have largely relied upon that memory when it comes to one of my favorite hobbies, used book stores.

I will find a book by an author I like, or simply something sitting in the $1.00 bin that looks interesting.  I will then mentally compare it to images in my head, deciding whether or not I already it.  Is it one of the hundred books I own that I have yet to read?  I buy books at nearly the same rate I read them, if not more quickly, meaning the gap between read and owned just keeps getting larger.  Thus, I found myself returning a copy of The Resurrection by John Gardner, of which I found an older edition already upon my shelves.

It’s not my fault, really.  I am a book addict.  I walk in to a used bookstore and I breathe in the pages.  The bookstore is a comforting smell and a comforting sound.  Despite being a mercantile establishment, the bookstore is quiet and serene as a  library.  I walk the aisles and find books with worn spines.  These books were once read passionately.  If I listened closely, I could probably hear the dreams of its past readers.

I open the book and flip through the pages.  Sometimes I am lucky and find artifacts of the book’s past life.  Here, an inscription to John, from his mother, who gave him the book.  John, in turn, apparently sold it to the bookstore.  I  found entire papers on literary theory written in the margins and blank pages of As I Lay Dying.  My favorite recent find was a postcard used as a bookmark within Anne Lamott’s Bird by Bird.  Someone visited a place they loved enough to buy a postcard.  Finding it inside a book on the writing life was like finding seeing another person’s life in object form.

A friend suggested I try tracking the books I owned on Goodreads.com.  Last night, I logged them.  I own around 350 books.  If you add the collection on my Kindle, that puts me well over 500.  It’s amazing how quickly the count snuck up on me.  It didn’t seem like I had that many books, even though the wall of my bedroom is lined with shelves, straining from being overfilled by paperbacks.  Most of them are in their second life, having been purchased used.

As a writer, I find them comforting.  They represent a successful writing project for the author, as in successfully published.  Some of the books aren’t exactly successful, if you know what I mean.  They also represent a past reader.  Within the bookshelves exists hundreds of examples of the writer-reader relationship.  It is a reminder that people still care about books, and what is written in them.

I can’t imagine trying to move again.  Books are heavy and the last time was a real pain.  Ironically, for a used book lover, I have a very hard time selling books.  Although before long, space might force my hand, or risk dying under a heap of collapsed oxidized-yellow pages.

Next time you are in a used book store, don’t shun the books with writing in the margins, or names written inside the covers.  Realize they were loved once, and you may love them again.  Be suspicious of perfection in a bookstore.   Books without cracked spines and dog-eared pages can’t be trusted.

Happy hunting.  You may find yourself lost for hours, or at the very least, with a very space-consuming habit.  Just don’t blame me for the weight of the UHaul boxes the next time you move.

Truths of the Group Mind

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I recently went to a couple of writer’s groups.  I have not had my work actively critiqued by another writer since college, unless you count a couple rejection letters.

Writing groups are a very interesting place, and I had almost forgotten what they are like.  There are several truths about writing groups.  I am posting these in hopes of helping new writers to not be overwhelmed, and reminding established writers what it was like to be that newbie in the corner, wondering what to say.  These are the truths, as I see them:

1.  Nearly every group you go to will say they aren’t there to be nice and will be brutal to your work.  You, of course, being a writer, expect and demand this.  Publishers and editors aren’t always nice, either.  However, being brutal is easier and harder than you would expect.  It is easier, because criticism naturally comes easier than praise.  It is also harder, because you aren’t used to being critical of people in the first place.  Writer’s groups can be like bad marriages.  When you do something good, no one notices, and when you do something bad, it’s all they will talk about.

2.  There will never be enough time.  If you started a writing group session at 6 am and had the room till midnight, you would still start late and get kicked out by the janitor before you got a chance to tell Tammy exactly why you feel she has an unlikeable protagonist with a plot that lags towards the middle.  You’ll look at a clock and find out that even though you just got there, two hours have passed.  Maybe it is magic.

3.  There will always be several strong personalities in the group.  They will speak loudly and confidently.  They talk about semi-colons, themes that you didn’t know you ever wrote, and plot devices they just don’t understand.  They dominate the conversation, contradict what others say if they don’t agree, and always seem to know something.  Eventually, if you have enough writers together, this will breakdown into an all out argument.  Knives may be involved, possibly pistols at dawn.

4.  There will always be newer writers in the group who have never dealt with these sorts of personalities, and aren’t exactly sure how to handle them.   They will sit in their corner, nursing their coffee, beer, tea, or whatever.  They will cautiously speak when it is their turn, until someday they become one of the strong personalities named in truth 3.  They will sometimes let themselves get intimidated.  They shouldn’t.  Everyone else started out in the same place as they are in, and most of  the group aren’t any better, or more qualified, than they are.  Unless you are in one hell of a writer’s group, or live on a coast, most probably don’t make a living on their writing.  Take their criticism, try out some of the stuff they recommend, but don’t take it as gospel.  Unless you are a horror writer and your writing group consists of Stephen King, Clive Barker, John Saul, and Anne Rice.  You might listen to them.  They have been published.

5.  Your writing group can be the best thing for your writing.  Part of writing is reading critically.  Critiquing the work of others helps you learn to be a better writer.  You see what worked for them and what didn’t.  You see what others seem to like, and what they don’t.  Writing groups hold you accountable and give you a reason to write, if only so you have something for them to read.  Just don’t spend so much time in groups that you never actually get around to writing.  That is an unofficial truth.  Some members of writing groups are really more interested in the writer lifestyle.  You’ll recognize them.  They’ll talk a lot and you’ll never see them finish anything.

There you have it, my top five truths about writing groups.  In practice, writing groups can be awesome.  However, it is easy for a bully to poison the group.  For those of you who have been around, try to remember to point out what you like about someone’s work, and not just what you hate.  For newer writers, remember that you have spent your entire life reading.  You may not know the technical vocabulary, but you know when something works.  Don’t be afraid to express your opinions.

There are many types of writing groups that meet in many different formats.  These days, you could be a part of a writing group that is entirely online, but I like the face-to-face method.  It’s nice to know other writers exist in your area.  It also makes it easier to take the rapiers out to the parking lot, if needed.

Have fun and keep writing.

What are some other truths about writing groups?